Wednesday, November 22, 2006

Lit Crit Comes Alive

Today Brenda attended the reburial of a Mohegan tribal chief, Mahomet Weyonomon, who came to England in 1736 seeking justice from George II about the capture of his land by English settlers.

Now it turns out that Mohegans are not Mohicans but James Fenimore Cooper got a tad confused.
Even James Fenimore Cooper got things confused when he wrote "Last of the Mohicans" in 1826. Since Cooper lived in Cooperstown, New York and the location of his story was the upper Hudson Valley, it can be presumed he was writing about the Mahican of the Hudson River, but the spelling variation chosen (Mohican) and use of Uncas, the name of a Mohegan sachem, has muddled things. Other factors have contributed to the confusion, not the least of which was the Mohegan were the largest group of the Brotherton Indians in Connecticut. After the Brotherton moved to the Oneida reserve in upstate New York in 1788, they became mixed with the Stockbridge Indians (Mahican) from western Massachusetts. Because of this, the present-day Stockbridge Tribe should contain descendants from both the Mahican and Mohegan. Anyone not confused at this point may consider himself an expert.
Such are the trials of a historical novelist. But Fenimore Cooper was not just any historical novelist. Fenimore Cooper had the delight of being savaged, in print, by Mark Twain.
Cooper's gift in the way of invention was not a rich endowment; but such as it was he liked to work it, he was pleased with the effects, and indeed he did some quite sweet things with it. In his little box of stage-properties he kept six or eight cunning devices, tricks, artifices for his savages and woodsmen to deceive and circumvent each other with, and he was never so happy as when he was working these innocent things and seeing them go. A favorite one was to make a moccasined person tread in the tracks of a moccasined enemy, and thus hide his own trail. Cooper wore out barrels and barrels of moccasins in working that trick. Another stage-property that he pulled out of his box pretty frequently was the broken twig. He prized his broken twig above all the rest of his effects, and worked it the hardest. It is a restful chapter in any book of his when somebody doesn't step on a dry twig and alarm all the reds and whites for two hundred yards around. Every time a Cooper person is in peril, and absolute silence is worth four dollars a minute, he is sure to step on a dry twig. There may be a hundred other handier things to step on, but that wouldn't satisfy Cooper. Cooper requires him to turn out and find a dry twig; and if he can't do it, go and borrow one. In fact, the Leatherstocking Series ought to have been called the Broken Twig Series.
Go and read the whole piece. If you've ever read a better literary savaging please let me know (and let me know the details).

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